“ Why Should We Help Someone From A Different State?”

“ If I were asked this question years ago, I would have done everything. But now the way the economic system is, I don’t know if I want someone from another country to compete with jobs, housing, and a state of mind.” So says, English teacher, Mr. Alberto Jose Romero. Many people have families that live outside the country and want them to come to America, but the big question is: should we help those people come to the USA?
Christelle Chery, a freshman at CHS felt different than Romero. She really did not have a feeling about helping someone else from her country. When I asked her how she felt about helping someone else to come to the states, she had a confused face and took her time to answer the question. But when she came up with an answer, it captured the prevailing sentiment: “I don’t know how to do that”. She really didn’t know what to do or what she could do.
Mr. Marc Brasof, Social Studies teacher, felt complete different from Romero, and Christelle. Brasof felt as though he would do anything in his power to help someone from a different country. When I ask him how he felt about helping someone else from another country he thought hard and said with passion “Sudan in there state Darfur people were being kill for no reason”. He feel as those we should help people who are seeking help and want to make a difference in their life and the country.
I feel the same as Mr. Brasof. I would do anything in my power to help someone else from another country especially in Nigeria because that is where I am from. The person has to really want the help to them selves before someone else can, help them. They have to want to help the United States.
You know helping others can be helping ours selves. Some immigrants that come to American are educated. Based on a survey of 28,000 companies, the study found that immigrants in the U.S. who are creators of companies combine entrepreneurial drive with strong educational backgrounds, especially in the so-called "STEM" areas (science, technology, engineering and mathematics). Stated by:( http://knowledge.wharton.upenn.edu/india/article.cfm?articleid=4205) so remember that helping someone from a different country is helping yourself.

NHD Reflection

For my NHD project I chose to do a performance about
Bessie Smith. It was a fun, hard, and informational project.
My group did a lot of research for my project, a lot of annotations
And a process paper.

Bessie smith was African American blues singer that lived though racism, sexism, and segregation she transcend all her obstacles to purse a successful singing career. A lot of people knew her as the “Empress of Blues” but not the problems she had to go though to get there. She made a lot of ways for singer these days. That’s why I pick her and that’s way I strive to get my NHD project together.

At the end of the day my group is going to city’s they are going
To make it further then that because we put more facts in our project and better custom. We will have to reverse the script a little but that’s not a problem. That’s my reflection on NHD.

Seventh Anotation

freedom, for us. "Freedom a History Of Us." 2008. Freedom a History Of Us. 21 Nov 2008 .



Bessie Smith began her career at the age of nine singing in the streets of Chattanooga, Tennessee. She joined a traveling vaudeville show as a dancer, but her real talent was singing.

By the 1920s, Smith had become the most popular blues singer in the country. Her fans called her the "Empress of the Blues." Smith made her first recording in 1923, "Down-Hearted Blues," which sold 750,000 copies. She made lots of money, but she spent it as fast as she made it.

When the Depression, radio, and talking movies stole the audience away from recorded music, Smith's career went downhill. She started a successful comeback as a Swing singer. In 1937, she died in a car accident.

Sixth Anotations

Whitney , Ross. "Reflections Of 1920's And 30's Street Life In The Music Of Bessie Smith." http:bluesnet.hub.org. 1995. the History of Women in Music.. 21 Nov 2008


As the saying goes, "you gotta pay the dues if you wanna sing the blues." In no other way than living the kind of violent, promiscuous, hard-drinking street life she sang about, could Bessie Smith have inspired in her audiences the powerful empathy that ultimately won her the title, "Empress of the Blues." Throughout her career, Bessie was respected for being a strong, independent African-American woman with tremendous talent and determination. She expressed great pride in her culture, and gladly participated in its earthy pleasures, regularly indulging her taste for alcohol and sex to extremes. Though her acclaim rapidly crossed racial boundaries, she shunned the icy affections and condescending embraces of the elitist white New York uppercrust, as well as fawning conformists from her own community. How ever much others tried to run roughshod over her, Bessie refused to submit to the slightest abuse without a knock-down, drag-out fight. With few exceptions, she held to her musical ideals with equal tenacity. Though musically illiterate, she regularly collaborated with her pianists to compose and write down her music,1 and her words frequently touched on pertinent events in her life. Her performance style, too, derives considerably from her own personal and cultural attributes.

Firth Anotation

Burns, Ken. "Bessie Smith." Biographies. October 2008. PBS.org. 20 Oct 2008 .

This website was very helpful. It gives certain details about Bessie Smith. Bessie Smith began her professional career in 1912 by singing in the same show as Ma Rainey, and subsequently performed in various touring minstrel shows and cabarets. By the 1920s, she was a leading artist in black shows on the TOBA circuit and at the 81 Theatre in Atlanta. After further tours she was sought out by Clarence Williams to record in New York. Her first recording, Down-Hearted Blues, established her as the most successful black performing artist of her time. She recorded regularly until 1928 with important early jazz instrumentalists such as Williams, James P. Johnson, and various members of Fletcher Henderson's band, including Louis Armstrong, Charlie Green, Joe Smith, and Tommy Ladnier. I think this will help us understand how Bessie Smith started her career as a blues singer.

Forth Anotation

Primaryaccess.org. 24 Oct 2008 .

Bessie Smith was a talented African American blues singer. She was a rough, crude, violent woman. She was also the greatest of the classic Blues singers of the 1920s. But during her career she had her ups and downs. She was turned down by three record companies because they felt she wasn't commercial enough, but Columbia Records soon signed Bessie. Her first record "Down Hearted Blues" sold more then 2 million copies within a year. At her peak in the 1920's she earned $2,000 a week, making her the highest paid black entertainer in the country. In 1930 her career had begun to fall due to the public’s change musical taste. By 1931 the Classic Blues style of Bessie Smith was out of style. The Depression, radio, and sound movies had all damaged the record companies' ability to sell records so Columbia dropped Smith from its roster.

Third Anotation

Sanders, Madelyn. "Bessie Smith." Women in History. 1/25/2008. 23 Oct 2008 .

This website was very useful, for example it told me about how Bessie Smith was born into a poverty stricken black family in the segregated south. It also stated " Bessie Smith was in the process of a comeback at the time of her tragic death at age forty-three. On Sept. 26, 1937, she was critically injured while on her way to a singing engagement, when the car being driven by her boyfriend Richard Morgan in which she was a passenger crashed into a truck on a road in Mississippi. According to legend segregation led to her death when a white hospital first refused her admission and by the time she arrived at a black hospital in Clarksdale, Miss., it was too late to save her and she bled to death. Although much has been said to dispute this claim, it is not implausible considering that this was the segregated south. The playwright Edward Albee dramatized the account in his 1960 play The Death of Bessie Smith ".

This website helped me a lot it told me about what type of family she was born into and how bessie smith life could have actually been saved after the tragic car crash but since it was a time during segregation the white hospital refused to take her so she bled to death.